Parasite in city ending
But with Parasite, Joon-ho not only returns to his native country but matures as a filmmaker by crafting a masterpiece with nary any genre trappings. With Netflix’s heartbreaking fairytale about the meat industry, Okja, Joon-ho made audiences cry for a CGI pig that looked as much like Eeyore as Babe. In Snowpiercer, Chris Evans lived on a speeding train after an apocalypse, a literal metaphor for income inequality. Making his name internationally with the horror-drama The Host, the Korean talent successfully crossed over to Hollywood productions, directing satirically rich genre works that became instant cult classics.
Writer-director Bong Joon-ho has enjoyed one of the most impressive and original filmmaking careers of the early 21st century. Moon-gwang has lived in that home longer than the Parks and seems nice enough, but she needs to go if there’s to be room for the Kims’ own mother Chung-sook (Jang Hye-jin), who becomes a fourth revenue stream from the unsuspecting Parks. Park misses that the only person in the house with a clue about what might be going on, housekeeper Moon-gwang (Lee Jeong-eun), is being pitted against her by her husband’s new driver.
While Ki-woo might have aspirations of going to university like his buddy, he is still his father’s son and enters the Park home looking for other positions his family can exploit. In this case, there is never even a visible discussion when the college-age son, Ki-woo (Choi Woo-sik), hears from his richer friend that there’s an opportunity to tutor a young girl living in one of the city’s richest neighborhoods. Obviously residing in a heightened satirical world, each family member is in keeping with Joon-ho’s traditional heroes, taking grandiose action with minimal hesitation.
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During the opening scene, Kim Ki-taek (Song Kang-ho) orders his teenage children to leave their windows open, so as to allow the city exterminators’ fumigation to give their flat a free treatment. Parasite’s protagonists, the Kims, live with boundless ingenuity, if limited optimism. Showcasing how one enterprising family is able to latch on to the wealthier one’s fortunes, with no one being the wiser, this is a darkly amusing masterwork about the never-ending tale of two cities. Within this juxtaposition Joon-ho presents Parasite, which premieres this week at the New York Film Festival, as a “tragi-comedy” (his words) that’s funny until it’s not. Such are the incongruous realities of living in the same Seoul. Scratch that, the Park family lives above the hill, complete with a landscaped and walled off garden that acts like a mini-Eden above the unseen, urban riffraff. While one family, the Kims, are introduced literally occupying space below sea level in a scuzzy apartment they insist is a “semi-basement,” another lives on a hill. Bong Joon-ho is aware of this, which is why he takes perverse pleasure in how he’s staged Parasite, a masterful passion play about the immense gap between those with money-lots and lots of money-and those without. As they seek to find a way out, they soon learn that the monsters aren't the only thing they might have to watch out for, but something much, much worse that could doom them all.If you ever want to see the severe extremes of a class system, just look around any major city. Hiring a team of divers, the team ventures deep into the Earth and soon finds themselves stalked by underground creatures living in the depths. Katheryn Jennings ( future "Game of Thrones" alum Lena Headey), and they eventually find a means of entry to the buried church through an underground river. Nicolai (Marcel Iures) and his assistant Dr. Years later, an expedition is mounted by a team of researchers led by Dr. "The Cave" begins with a flashback to a group of explorers unearthing a cave complex beneath a church in the Carpathian Mountains, one soon buried under a landslide with the entire party lost deep beneath the surface. Released in August of 2005, "The Cave" makes for an entertaining thrill ride, and one with a particularly wicked ending to boot.
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The 2005 horror thriller "The Cave" is a wicked little romp, an enjoyably creepy monster movie where a group of intrepid explorers is stalked by hideous monsters in cavernous depths deep underground.